right here brown delivers an ep thats variously fulsome and funky, skipping yet seriously weighty and tripped out and intergalactic, whilst the antigone remix is full of nerve jangling texture and drum driven brut force.

invisible inc s second release comes courtesy of synthesizer krautrock maestros higamos hogamos. this ep s influences are clear: early john carpenter in his darkest, seediest hour, amon duul ii in heavy pagan-trance mode, the psychedelic sounds of garage rock all topped off with a heavy dose of jacking synthesizer funk.

the first in a series of vinyl and digital releases from the invisible cities collective (i.e.: luca c & brigante + cosmic guests). moments in between brings back the folk vocals of zeben jameson (a mountain of one) and the release includes a remix and a dub from ivan smagghe. the original would fit perfectly on a baldelli cassette. electronic piano grooves and vintage drum machines support zebs soaring vocals throughout before a classic drum machine break and future space jazz outro. check morning sun from invisible cities first ep (2011) for more z. jameson

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

lockjaw makes his debut on invisible with this deep roller called *obsidian*, subtension returns to invisible with *midnight flush*. current value also debutes on invisible with the heavy *cotton punch*. survey returns to invisible with *the hunter*. quality.

welcome to the 3rd vinyl release of local sound network. label owner, ryuji takeuchi, is on duty to drop this superb ep. ryuji represents 2 off beat techno tracks with spectacular atmosphere, whereas, 2 remixes emphasize straight 4/4 rhythm patterns with even wider feeling.

invisible inc launches with this 4-track sampler 12”/ep from four artists that we plan to be releasing music by over the coming year – secret circuit, higamos hogamos, tim love lee and the poncho brothers. packed with modular synthesizer funk, psychedelic wonk, kraut-rock infused space opera and downtempo analogue “balearica”, the 12” is due to be in shops in early may. already getting praise from soft rocks (esp institute, endless flight), house of traps (firecracker, unthank, sacred summits), dj kaos (rong music, dfa, jolly jams, astrolab), josé manuel (eskimo, kinfolk, disques sinthomme), bobby beige (pork, garden zadar), chuggy (emotional response/especial) and gavin hardkiss (hardkiss, siesta, sunburn

seit der begründung zur jahrtausendwende war pop ambient immer eine herzensangelegenheit: sorgfältig kuratiert von wolfgang voigt, zeigten diese veröffentlichungen nie ein sonderliches interesse am tagesgeschmack. eher genredefinierend als trendsetzend, folgten sie ihrem eigenen weg und etablierten eine einzigartige Ästhetik irgendwo zwischen experimentellen field recordings, no-age musik und geschmeidigem synthie-pop - wir nennen es auch gerne fahrstuhlmusik für vertikalverweigerer.

canadas invisible city returns with more surprises from musics deleted history. side a features jeancys u turn me on, an 808 driven haitian-canadian dubbed out disco boogie anthem thats sure to drive crowds manic. side b features two spoken word cult future classics by the mysterious hawaiin mystic astarius. ancient times part 1 and 2 are both hypnotic affirming mantras, soaked in reverb and twisted in pitch. its sure to melt brains into a dervish twirl. limited pressing.

especial take a side-step, welcoming up and coming producer wolf muller to the label with his remixes of indie-pop dreamer mariam the believer. two striking percussive, led reworks of her single invisible giving appear exclusively on vinyl.

top notch ep on naked lunchs sub label onh.cet, featuring invisible structures from space djz, also remixed by a.paul & d.noyse, both tracks peak time techno rockers. on the b-side, a.paul and duart deliver kontakt a solid hardgroove tune, and also a.pauls remix of loudon kleers immersion, a hard dark track with ruthless rhythm and hypnotic atmosphere.

strictly limited, hand stamped, individually numbered, no digital.

vinyl only, culture hub returns to invisible circles great support as previous releases, hypnotic percussion and mysterious layered sounds as exspected!

if movin on is witchs rumours then kuomboka is their tusk. a remarkable follow-up to a timeless album that shows the band taking greater risks in songwriting and playfully experimenting with production techniques.

ovums 20th birthday celebrations continues with the return of itamar sagi.

brand new ep on noisias invisible recordings. their record label for new experimental bass music. tunes by nickbee, abstract elements, fre4knc and survey.

repress , 70er disco mit afro einfluß.. super rare and supa good

invisible circles are back after wide spread support from ricardo villalobos, raresh, onur ozer and baby ford.

second part of this two episode series on subnet records. following the same flavour as before... dark textures and mental synth lines driven together by hard drum patterns and groovy percussion. these two ep reflect the creepy and insane behaviour caused by experiments in the field of invisibility applied in the human being. all the tracks were recorded live! just using analog sequencers, mpc, analog mixer and synths. directly to a recording device. in the same way as you could record a live set, to keep all the vibe as fresh as possible. 220 copies limited vinyl release.

new vinyl only label limited pressing......, supported by ricardo villalobos, raresh , onur Özer , baby ford

this crew dont do things by half! following the insanely nice michael boothman record a few months back - invisible city edition descend to even further depths and give us a fully re-mastered issue of this mythical treasure! big limited edition tip!

fresh off his appearance on earthtones 4, this is octobers debut solo ep. expect a dark sensual foray into the cosmos, some abstract yet moody beats, a galactic house journey, & maybe a portal to another dimension.

young turks are set to release another great ep in 2013, joining fka twigs, sampha and koreless is spanish producer pional.
some may know pional as the john talabot collaborator responsible for stand tracks *destiny* and *so will be now* from his critically acclaimed *fin* album - an album frequently ranked as one of the best electronic records of 2012. his invisible/amenaza ep brings the groove and audio-perfectionism of these collaborations but adds an unsettling sense of paranoia which brings the music depth and tension - *invisible amenaza* translates as invisible threat. pionals influences arent really worn on his sleeve, but the forward thinking producer adds his influences of the zombies, roy ayres, and the police into a sound that manages to work on the dancefloor as well as the headphones.

am 04.10.2013 erscheint mit blood donation das debütalbum von mariam the believer über moshi moshi / pias cooperative. mariam wallentin ist besser bekannt als teil des schwedischen duos wildbirds and peacedrums, doch ab sofort schreitet die extravagante sängerin auf musikalischen solowegen durchs leben. mariam the believer ist eine sehr introspektive und melancholische kreation kraftvollen pops, die mariams vision von hoffnung und licht am ende des tunnels charakterisiert. mit invisible giving gibt es einen ersten vorgeschmack auf das album, inklusive eines prins thomas club remixes.

mit seinem zweiten album invisible in your city vollzieht der britische musiker will ozanne aka gang colours eine erstaunliche entwicklung vom heimproduzenten-wunderkind zum kreativen und kundigen singer/songwriter. sein zum dream-pop gereifter sound wirkt dabei wie eine songbasierte, englische version des großartigen scott herren aka prefuse 73.

dave aju continues his aural alchemy, reconciling genres and eras in distinct, versatile elixirs of house.

italian dj / producer max_m, who has recently seen a lot of movement thanks to his own label m_rec ltd, which includes releases by jeroen search, samuli kemppi, nx1, cassegrain, among others, arrives at woods n bass records to present the third edition of their vinyl-only imprint. three good examples of explorative but yet refreshing dub techno, in which maxs reversed, delayed chords should make this a secret weapon, perfect for some dancefloor euphoria

sometime prime numbers, still and wolf music producer, be, drops invisible heaven on hudd traxx this march comprising three original cuts from the manchester based producer. be has been bubbling away on the underground circuit for several years now with a solid catalogue of releases on reputable imprints alongside the likes of motor city drum ensemble, trusme, move d and fred p a sign of the uncompromising quality instilled in his music.
dj support: brothers vibe, tristan da cunha, mehdi, neville watson, jori hulkkonen, norm talley, ralph lawson, franklin de costa, phil asher, james johnston, andy ash, ali herron, stu clark - wolf music, jimpster and many more.

200 copies limited vinyl release.

the next catalog number presents you two berlin artists– jonn melchiat & k.atou. both are not unknown in the business. so k.atou already collaborated with labels like bpitch control, einmaleins musik or resopal. jonn melchiat who made himself a name with the pseudonym sonceboz, decided now to focus on his project jonn melchiat and releases beside on the label what now becomes, an ep on sono vivo.

mit rispah veroeffentlichte the invisible ein von kritikern und fans gleichermaßen gefeiertes album. ihr einzigartiger mix aus psychedelic, pop und electronic begeistert aber auch befreundete musiker, darunter die britische pop-sensation anna calvi (domino)! anna covert mit the wall einen der staerksten songs des neuen albums. obendrauf gibt es noch ein episches, house-monster des legendaeren djs und produzenten theo parrish (sound signature)! tip!

the second ep with remixes for seahawks *invisible sunrise* album, this time made by jonny nash, rune lindbæk & Øyvind blikstad and cos/mes.

>rispah<, the sophomore album by the invisible and their first for ninja tune, is >a love letter to grief< following the passing of singer dave okumus mother, is imbued with an inevitable melancholy but defined by a sense of hope. throughout, the band reveal their rich creativity and musicianship. echoes run through these songs of african music (including beautifully-woven-in samples of the singers from okumus mothers funeral), psalm tones and devotional music, in a silent way-era miles davis, hints of minimal classical composers such as steve reich and the wilder more psychedelic end of hip hop and related electronic musics.
nothing is ever included for the sake of it, no attempt is made to patronise or sell the audience short. it is a record brimming with real emotion and restless intelligence, a record to get lost in.
double 12 inch vinyl in gatefold cover, including insert and code for free mp3 download.

another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!

>hoping for the invisible to ignite< was recorded and mixed between paris, normandy (fr) and saint-margaret of antioch church in leeds (uk), these four haunting orchestral pieces were performed in the studio live, and re-recorded using a wall of sound process, adding the natural reverb of the church to the raw tracks. the dvd includes the super 8/16mm black&white film >as true as troilus< by jayne amara ross & a bonus live performance shot by alain grodard & rod maurice during the festival des nouveaux arts sacres at saint-eustache church in paris.

what happens if you combine electronic sounds with minimal elements, some house brasses, a hip beat and a jungle atmosphere? yeah, youll get that special vibe called >umba eya umba samba<! and youll get it in two flavors: original and dub mi...x - and both of them entering your brain and never leaving again. enjoy dj terry pardini & invisible mans bomb!

once again the disorder kaiser with a mindblowing, overwhelming and extraterristical ep on stock5. the italian boy in exile, nowadays in berlin, doesnt stop to drop beats for the special moments and it seems that he gets better day by day!

2010 repress !!! decks tip!!! phantastic 2 tracker on this new label . 2 rough yet deep tracks by promising new york artist levon vincent!! jus ed and marcel dettmann have been relentlessly pushing his music in their sets and you can see why. both these tracks will work wonders for both deep house and techno fans alike. dont sleep on this guy!

new yorks finest release a limited edition version of invisible light through boysnoize records on 16th august. the single will be available on vinyl . the single will include additional mixes by stuart price, boys noize and siriusmo. invisible light has already become a scissor sisters classic with radio djs and club djs alike. mixmag made the song one of their essential tracks while nme said it is >a six-minute hit of pure dancefloor ecstacy<.

after the more then excellent label debut fit 001 (pittmann) we have the follow up for you by jamal moss (iamthatiam, aka hieroglyphic being aka the sun god aka jack-fm.) as iamthatiam, moss builds upon the sounds of his citys rich musical legacy and directs it into an area that is his most definitely his own. his sound is expressive, experimental, emotional and powerful. within this ep there are three deep, dark and dirty tracks that blend the boundaries between techno, house, industrial and ambient electronic music. fit sound is a label that strives to push the experimental nature of dance music, and that is exactly what moss has done right here.

label chief guy gerber returns with a stunning 12 inch double ep on his own >supplement facts records<. all seven original mixes in this release were written and produced during the summer of 2009 and each one captures a particular aspect of this period for guy. summer time meant busy time this year! apart from touring and being based in ibiza for his weekly residence at space, guy managed to find studio time to work on his album (scheduled for 2010) and this release. my invisible romance is an intimate glance into the seemingly borderless music production world of guy gerber. whilst delivering gerbers signature production style this release also surprises with its romantic elements and as usual he teases the listener with his trademark dream-like adaptations. the inspiration for this release came from guys regular performances and majorly from the time spent on the road- as a guest artist in friends studios and from his work in >improvised studios<. >my invisible romance< is a release close to guy gerbers chest, filled with emotions and surprises- a truly intimate collection of musical works

almost two years after his highly acclaimed debut, fabian bussmann is back with a release on debox. and the waiting was worthwhile! sometimes i m invisible is a remarkable piece of work and shows a recognizable advancement in fabians production skills. >or else< on the a- side is predestinated to be played on a big sound system: dark, athmospeheric, reverberated with lots of freaky delays and effects and equipped with a powerful bassline the track creates a tension that will surely massively discharge on the dancefloors this summer. the remix on the b- side was created by bastian buesser who recently attracted a lot of attention with his releases on debox and endlich elektro. buessers interpretation of the track is a deeper, more playful approach of the theme. without touching the basic structure of the track he constructs a more relaxed, athomospheric vibe, taking back the tempo and adding a new bassline to the adaption. the title track >sometimes i m invisible< clearly distinguishes from the the a- side and presents a different side of fabians work coming along with a groovy bassline and lots of percussive elements.

fritto morto 003 sees gatto frittos invisible college getting a timely re release. originally out on dissident, invisible college has been a big record for beardos from hoxton to hawaii. it became a firm favourite at londons disco bloodbath and cosmic truth nights aswell as across the pond at harveys sarcastic parties. a long acoustic guitar driven balearic trip propelled by synth bass, disco toms, clavinet and fender rhodes with a summery disposition. the b side your dreams are my nightmares is 9 minutes of highlife guitars squalling 101s, backwards vocals and white noise snares with a pure pop number buried underneath...the sort of thing paul simon and doris norton might have made if they had been sectioned and were in a music therapy group together.

driving funky techno ep from one of the most promising guys in the italian scene: simone tavazzi has already released some hot material on analytic trail, renovatio, playmobil series and many others, and now is delivering us two rolling bombs, hypnotic, pushing and constantly evolving. complementing this already excellent work,>invisible< has got a serious groove injection from label owner tobia coffa. more remixes from greyarea crew will be available in digital format featuring the selph (apnea, thisorder) naph (renovatio, pulsewith) and subform (thisorder, 6th studio).

fresh eight presenting: the invisible planets the invisible planets are coming up with their first appearance on fresh fish records ! the hamburg based project emerged from plenty of jam sessions in > the wooden studio st georg<. after recording the sessions the guys choose and edited the best parts to polish them up. the result is a unique organic sound, engeneered to make it tight for the floor. on the flipside brothers vibe has come up with a joyfull remix which keeps the tension all the way through and builds a magic timeless interpretation of the original track. massive housevibes guaranteed on this record!

driven technoid detroit album by mark verbos

funky percussion and darker techno rollers.. ltd backstock

a very special compost release with two very rare tracks! the a-side features a great remix of beanfields >tides< with amazing vocals from bajka - of course its not quite up there with the unbelievable carl craig mix but then that would be an uphill struggle. ripperton from the lazy fat people adds his moody, deep slant to the track, less anthemic than carl craig but a more than welcome alternative. this mix was available for a short time as bootleg with ricardo villaloboss remix of depeche modes >sinner in me< on the flip and sold out quickly despite the poor sound quality. finally, one year later, this great tune sees it official release completely remasterd in chrystal clear sound - get it, play it, love it! in 2006 the duo tom wieland and marc frank - better known as 7 samurai - crafted a fine remix of invisible sessions under their panoptikum moniker. when michael reinboth considered this remix for his new future sounds of jazz compilation the guys decided to contribute even a little bit more: an excusive new version which became a definitely highlight of the whole compilation. the panoptikum 2007 remix surprisingly takes a leaf out of innervisions book for a smooth deep houser with a slighty techy sound and a touch of detroit in the vein of Âme or henrik schwarz. in contrast to the vocal version included on fsoj this 12inch features the trippy instrumental version. ace stuff! two must have tracks - all killer, no filler!